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Her artwork and experimental writing has been exhibited and performed at The Studio Museum in Harlem, Project Row Houses, The Hammer Museum, The Museum of Art at The University of New Hampshire, SF MOMA, The BALTIC Centre for Contemporary Art, Newcastle upon Tyne, UK, and Páramo Galeria, Guadalajara, Mexico. Hinkle’s work has been reviewed by the Los Angeles Times, LA Weekly, Artforum, Hyperallergic, The Huffington Post, The Washington Post, and The New York Times.
She is also the recipient of several awards including: The Cultural Center for Innovation’s Investing in Artists Grant, Social Practice in Art (SPart-LA), Jacob K Javits Fellowship for Graduate Study, The Fulbright Fellowship, and The Rema Hort Mann Foundation Emerging Artists Award and the SF MOMA SECA AWARD 2019. She has artworks in the private collections of The Studio Museum in Harlem, The Museum of Art at The University of New Hampshire, The San Jose Museum of Art, and SF MOMA.
Her writing has appeared in Obsidian Journal: Literature & Art in the African Diaspora, Artforum and Among Margins: Critical & Lyrical Writing on Aesthetics. She is the author of Kentifrications: Convergent Truths & Realities (2018) published by Sming Sming Books & Occidental College and SIR (2019) published by Litmus Press.
WEBSITE: https://www.kachstudio.com/