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CFP- RECLAIM: NARRATIVES OF AFRICAN WOMEN ARTISTS | AWARE : Archives of Women Artists, Research and Exhibitions

Deadline October 15, 2020


This symposium is part of a wider collaboration with the Africa 2020 Season, a pan-African and multidisciplinary project taking place in France from December 2020 to mid-July 2021. Africa 2020 is an invitation, by N’Goné Fall, General Commissioner of the Season, to look at and understand the world from an African perspective. In this context, the AWARE association: Archives of Women Artists, Research and Exhibitions whose goal is to improve the exposure of 20th-century women artists, sought the expertise of scholars, artists and curators from Africa and around the world to raise the issue of the visibility of women artists in Africa.

This symposium intends to bring together researchers from various horizons in order to shed light on the research on African women artists and to bring African perspectives to the foundational narratives of art history. The past few decades have seen a concerted drive in Europe and the United States to produce global art histories, with little participation by scholars from other parts of the world, especially Africa. Alongside this initiative is an unprecedented growth in research and writing on modern and contemporary African art. Major monographs on individual artists, groups, and national art movements have appeared in recent years. Yet, only very few women artists have featured in these publications; despite that, they played important roles in the making of these histories. This symposium offers a critical platform for established and emerging scholars to evaluate and re-examine existing histories and archives as well as recover new ones to more fully account for the significance of work by African women artists past and present. Among the guiding questions for this symposium are: How have modern and contemporary art history in Africa been written? Which histories, media, identities, genders have been forgotten and which have been overlooked? Which new narratives do we need for the writing of more comprehensive future art histories?